Sunday, August 2, 2026

Sunday in the Art Room

 Welcome to 

SITAR is about ANYTHING art. Your art, someone else's art, writing, photography, the art of cooking, the art of sewing and textiles. Sharing historical art, street art, a story about art. Do you have a question or need help with art? Write a blog post and link it up here. We will all try to help with it. My only rule is that if someone asks for critique it must be done with generosity and consideration. 
This is a place of learning, encouragement and inspiration.
 
I'm thrilled to introduce to you 
Lisa Bufano.
Please watch
 Lisa was born to Louis A. Bufano and Elizabeth "Betty" Bufano in 1972 in Bridgeport, Connecticut. Lisa was an active child being in ballet and tap dance classes and competing in gymnastics. Let us not forget she was a go go dancer while she attended Tufts University. Then tragedy struck. 
Lisa contracted a life-threatening staphylococcus bacterial infection at age 21. There is no public information on how she contracted the infection, but the bacteria entered her bloodstream and triggered a rapid, severe systemic response (sepsis). This compromised her vascular system and blocked circulation to her extremities, ultimately making bilateral lower-leg and total finger-and-thumb amputations necessary to save her life. 

She graduated from Tufts University in 2003, and later from the School of the Museum of Fine Arts, Boston (SMFA) that same year.  She worked as a web developer at the Museum of Science in Boston. She left that post in 2005 to pursue her interests in sculpture, stop-motion animation and other forms of the visual arts through The Contemporary Artists Center Residency in North Adams, Massachusetts 

After losing her limbs, Lisa began her performance and dancing career when a professor at the University of Linz doing research on the lives of amputees discovered her web page and offered her a stipend to perform in Vienna. She toured from 2006 to 2010 with the AXIS Dance Company. She preformed works variously choreographed by Victoria Marks, Joe Goode, and Kate Weare.  Her audiences where in Austria, Croatia, Slovenia, and Canada, and performed to a packed house at the John F. Kennedy Center for the Performing Arts  as well as at the Baryshnikov Arts Center and Judson Memorial Church, among other venues.

 Her dance work typically incorporated a variety of prosthetics and props (such as using wooden Queen Anne table legs as legs and arms), 

  

but also included segments where her unadorned body was the focus of the performance. 

  According to Bufano she manipulated her body as a way to explore alternative locomotion.

At age 34 she ran several miles a day on high-tech carbon fiber prosthetic legs.

Lisa did not publicly label herself as a "lesbian." Instead, she identified under the broader "queer" umbrella. 
While she explicitly stated that her work explored her sexual identity and was created for and alongside the artistic LGBT community, she preferred fluid terms rather than strict identitarian models. In both her life and art she identified with the "queer/crip" a movement, a community and framework that intersects queer sexual identity with disability pride. 
Lisa listed among her influences medical drawings, historical wax models, dolls, and optical toys; flip dolls and paper dolls; the structural aspects of Japanese jointed dolls, Hans Bellmer's doll work, Louise Bourgeois' cell installations, and the animation of Jan Švankmajer and the Brothers Quay. One of her main projects was a white muslin dress which turned into a squid, for which she sewed thousands of detailed suckers.
 "She loved sewing sculptures made of fabric," her brother remarked in a remembrance. "She had a thing for the creepy-cute, the exotic, the bizarre. Things that were dark but also beautiful.

she explained her aesthetic and political goals when she claimed that:

Despite my own terror and discomfort in being watched (or, maybe, because of it), I am finding that being in front of viewers as a performer with deformity can produce a magnetic tension that could be developed into strength. I attempt to channel this tension by exaggerating the mode of physical difference (for example, presenting myself on stilts).





 

She likewise explained during her time at the School of the Museum of Fine Arts, Boston:

My eye has always been drawn to abnormal forms ... It's just that now my tool is my body. I'm still animating a form, but it's my own form ... I'm not an astounding dancer ... But being a performer with a deformity, I find that there's a gut response in audiences, an attraction/repulsion aspect to it that can be compelling. I just hope that there's a balance between that gut response and the substance of a performance

 

Lisa Bufano died by suicide on October 3, 2013, in San Francisco, California; no suicide note was found. Two months later, her brother reflected on the inexplicable nature of her death.

"I'm surrounded by speculation about why Lisa took her own life. Facebook,  friends, family members, and her fans would all like to know. They want it to make sense to them. They want to feel okay. Ultimately they want her back.

But I am having great difficulty with all of this. Lisa didn't like other people projecting their idea of who she was on her. We'll never understand why. It will never make sense.

I believe she lived her entire life and that her life was many lives. I don't believe it was cut-off short. Her mission was completed and she must have understood that fact when she departed from this world. She was alone with her dog in her home in the middle of the night.

More than a year after her death, her work, along with that by Cara Levine, Shari Paladino and Sadie Wilcox, was included in Four Choreographies at the Worth Ryder Art Gallery in Berkeley, California. A further retrospective was held Storefront Lab in San Francisco in 2015

Five open mouths


This is an artist I knew nothing about. There is a lot of information about her art but not about her private life or the private lives of her family. 
I have left several links that if you are interested in Lisa you should click onto. 
Hope you enjoyed meeting Lisa.
 
Nicole 
I'm joining Gillena for
 
this is her website with amazing videos.
 

Friday, July 31, 2026

Friday Face OFF (FFO) 7/31/26

 

Welcome To Friday Face OFF (FFO)
This is the place to show off your face art.
You know, ANY type of face, nature, the face of a flower, photography, drawings, paintings, AI. There just needs to be a face in your blog post, a link back to my blog and please use the image below. 
Thank you.
 
Hi Everyone!
I've been waiting all week to show off this piece of art. Now, all of you know I do NOT claim to be any kind of an expert at graphite portraiture. However, seeing my drawing skills improve is incredibly exciting. I put a lot of hard work into this piece, and I am thrilled with the final result.
Let me know what you think, and ya know be kind. LOL
The first photo I got was this one. I had already sketched her out and I want to get started on the bonnet. 

I actually didn't realize that part of the bonnet is all kinds of rolled and folded fabric. Also a 3/4 face is difficult for me. I'd rather go straight on. 
I thought I would do her red top in colored pencil. However, even with many layers it just wasn't dark enough. I went over all of it with red pastel and then put in the folds and shading. 
 
 
I'm very happy with her. I only wish I had better lighting so the photos would come out better. 
 
Many years ago while I was visiting my daughter and her husband in NC. We drove to SC and Myrtle Beach. I can't begin to tell you how much fun we had. We are at the wax museum. Yeah sculls and skeletons run in my family. 
 
He just couldn't help himself. LOL
 
My SIL was stationed at Quantico for several years. I visited them in Virginia and of course we spent time in DC. I can't remember exactly what was going on then, but the White House was fenced off and no visitor allowed. 
 
Now for some features.
 
 
 
That's it for now 
Don't miss
Sunday in the Art Room this week.
Something very special. 

 
I will be joining Gillena 

Now it's time to show me your face.
Nicole

Tuesday, July 28, 2026

T Stands for Tuesday

 Hi Everyone!
 
Today I'm joining T-Day with 
 
 I have to tell you that I love my new Chefman Crispinator Air Fryer.
It is so easy to use. The last one I had was very difficult to use and it had French oven doors that were impossible to clean. 
 
Today I baked bread in my Crispinator.
 
 
The window with the light is a game changer. 
 
The bread turned out very good and the perfect loaf size for Mr. M. and I. 
 
In fact I made 2 loaves because it takes no  time at all to make them.
 
I also made air fry pork chops that turned out juicy and so tender. However, I neglected to take a photo.
I made up a great rub and even though this is a photo from the internet my chops looked pretty much like this photo. 

add some sweet potatoes and brussel sprouts and Mr. M. had a very good dinner.  Uhhh yeah I'm still suffering with diverticulitis so it was chicken broth for me.
I know this may seem like a dull post. However, other than playing with the air fryer I didn't do much today. 
 
Oh I did get some blooms on my Zinnia. 
 
I think they are so pretty. 
In my big garden on the other side of where  I have lettuce and beets growing. I just threw some seeds into the dirt. Nothing has come up except this lovely Mexican squash.
Not sure it will fruit but it's nice to see.
 
My drink today is, again, just good ol cold water.  
 
Have a great Tuesday.
 Nicole 

Monday, July 27, 2026

Monster Monday 7/27/26

 Welcome to
It's late Sunday evening and it is like summer out. All day it's been overcast and cold. Nice to see the sun.
 
No sun with the monsters.  
 

 


 
 
 
Now for some sunny pretties. 
 




Have a great Monday! 
 
Nicole

Sunday, July 26, 2026

Sunday in the Art Room SITAR 7/26/26

 Welcome to 

SITAR is about ANYTHING art. Your art, someone else's art, writing, photography, the art of cooking, the art of sewing and textiles. Sharing historical art, street art, a story about art. Do you have a question or need help with art? Write a blog post and link it up here. We will all try to help with it. My only rule is that if someone asks for critique it must be done with generosity and consideration. 
This is a place of learning, encouragement and inspiration.
 
All of the art that we create today is because of artists in the past. Especially women artists who stood strong against society and their male counterparts.
 Many talented women artists of the 1950s were overlooked by mainstream history, including Lee Krasner, Carmen Herrera and Elain de Kooning. These women worked hard in movements like Abstract Expressionism and Minimalism, but, as we know, male peers and gallery owners often pushed them aside. 
 
Today, I want to focus on Lee Krasner.
 Born Oct. 27, 1908 in Brooklyn, New York. Her birth name was Lena Krassner, and she grew up as the child of Russian-Jewish immigrant parents. 
  She was married to Jackson Pollack so you would think she would have and "in" to mainstream galleries and art functions. Not so. 
Gallery owners and the press frequently reduced Krasner to a supportive spouse or manager rather than viewing her as a serious, independent artist. 
 

  
It's impossible to discuss Lee without addressing her marriage to Pollock. They were married for 11 years and despite Pollock's chronic depression, alcoholism and infidelity, Lee supported him and his art. Their marriage was turbulent to say the least. After yet another affair Lee left for Europe and shortly there after Pollack passed away. Lee returned to make sure Pollack's name and art was remembered as genius. Pollock died in 1956. 
 It was then that Lee was able to focus on her own art. Lee produced new series of art that were/are powerful and emotional. Yet, she struggled against widespread sexism that viewed her primarily as a grieving widow and caretaker of his legacy.

 
 

Lee finally gained major widespread recognition in the late 1970s and early 1980s, highlighted by a major 1983 retrospective at the Museum of Fine Arts, Houston and a major exhibition at the Museum of Modern Art (MoMA) in late 1984 
 
In fact, Lee's art is now permanently held and displayed across at least 20 major international museums and has been featured in dozens of prominent galleries and retrospective venues worldwide. 
Original paintings by Lee generally sell for between $500,000 and $12 million at auction, depending entirely on the era, scale, and historical importance of the piece. While her market historically lagged behind her husband's her value has surged dramatically in recent years. Smaller works on paper and prints typically command much less, ranging anywhere from $1,000 to $10,000. 
Lee's story is vast and if this has peeked your interest check out these links. 
 
Nicole
 
Joining Gillena